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<channel>
	<title>Caio Bucaretchi</title>
	<link>https://caiobucaretchi.com</link>
	<description>Caio Bucaretchi</description>
	<pubDate>Wed, 11 Mar 2026 14:49:12 +0000</pubDate>
	<generator>https://caiobucaretchi.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Video Header</title>
				
		<link>https://caiobucaretchi.com/Video-Header</link>

		<pubDate>Wed, 30 May 2018 14:54:52 +0000</pubDate>

		<dc:creator>Caio Bucaretchi</dc:creator>

		<guid isPermaLink="true">https://caiobucaretchi.com/Video-Header</guid>

		<description>
	





	



Hi! I’m Caio




	

	I’m an Art Director from the city of São Paulo, Brazil specialized in Animation, 3D Art and Illustration. If you’re interested in my work, feel free to send me a message at caiobuca@gmail.com
Hopefully we'll be able to work together on achieving something great!




	
	


	










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	<item>
		<title>Reel</title>
				
		<link>https://caiobucaretchi.com/Reel</link>

		<pubDate>Thu, 18 Oct 2018 18:17:12 +0000</pubDate>

		<dc:creator>Caio Bucaretchi</dc:creator>

		<guid isPermaLink="true">https://caiobucaretchi.com/Reel</guid>

		<description> </description>
		
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	<item>
		<title>FGREAT - Sony PS5</title>
				
		<link>https://caiobucaretchi.com/FGREAT-Sony-PS5</link>

		<pubDate>Mon, 11 Mar 2024 21:18:15 +0000</pubDate>

		<dc:creator>Caio Bucaretchi</dc:creator>

		<guid isPermaLink="true">https://caiobucaretchi.com/FGREAT-Sony-PS5</guid>

		<description>


	

FGREAT - Sony PS5



	EN

A video showcase featuring several of the projects that I've had the opportunity to collaborate with Fgreat Studios for one of their major clients, Sony’s Playstation. We've assembled a small team of CG Generalists and each artist was required to work in several different stages of the process. I've contributed mostly in Lighting, Rendering, Setup and Animation and in some cases also lent a hand in Compositing



	
PT
Uma coletânea de projetos em que colaborei com a FGreat Studios para um de seus principais clientes, Sony Playstation. Éramos uma pequena equipe composta por um grupo de generalistas, o que fez necessário com que cada um contribuísse e se familiarizasse com várias diferentes etapas do processo. Contribuí especialmente na parte de iluminação, Render e Animação. Em alguns casos auxiliei também na parte de Compositing e pós-produção.






















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	<item>
		<title>DWRK - Vivo Controle</title>
				
		<link>https://caiobucaretchi.com/DWRK-Vivo-Controle</link>

		<pubDate>Tue, 03 Dec 2019 20:17:30 +0000</pubDate>

		<dc:creator>Caio Bucaretchi</dc:creator>

		<guid isPermaLink="true">https://caiobucaretchi.com/DWRK-Vivo-Controle</guid>

		<description>

 
DWRK - Vivo Controle

EN




Another one for Dirty Work Factory. This time, I ventured myself on Character Animation. I was responsible for creating all the animation for the first and third movie and did all the animation cleanup for the second movie. I was also responsible for Character Modelling for the first movie and for some rigging adjustments, lighting and rendering of all the movies. It was a big challenge with a tight deadline but it was really fun to be involved in and we were really happy with the results





 





PT
Mais um projeto produzido com o pessoal da Dirty Work Factory. Desta vez me arrisquei em animação de personagens, além de estar envolvido em outros aspectos da produção. Fui responsável pela modelagem geral do primeiro vídeo e responsável pela iluminação e render em todos os demais filmes. Fui também responsável por toda animação do primeiro e terceiro filmes e cleanup de animação do segundo filme. Foi um grande desafio com um prazo apertado, mas foi bem divertido participar e ficamos bastante felizes com o resultado.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;












&#60;img width="1400" height="788" width_o="1400" height_o="788" data-src="https://freight.cargo.site/t/original/i/9c9f2bc237667feb629a43f512a8cd50cee5cf8e4bd45cc897a4f9e52615d0ec/767cd185620709.5d8149eb197d2.jpg" data-mid="55936389" border="0"  src="https://freight.cargo.site/w/1000/i/9c9f2bc237667feb629a43f512a8cd50cee5cf8e4bd45cc897a4f9e52615d0ec/767cd185620709.5d8149eb197d2.jpg" /&#62;
&#60;img width="1400" height="788" width_o="1400" height_o="788" data-src="https://freight.cargo.site/t/original/i/65023f2936a524b5f63770e211b2b78f2497476315658c61b20fd6df8d341df8/ad2b5e85620709.5d8149eb180b2.jpg" data-mid="55936391" border="0"  src="https://freight.cargo.site/w/1000/i/65023f2936a524b5f63770e211b2b78f2497476315658c61b20fd6df8d341df8/ad2b5e85620709.5d8149eb180b2.jpg" /&#62;
&#60;img width="1400" height="788" width_o="1400" height_o="788" data-src="https://freight.cargo.site/t/original/i/c2d9a5d93e9f81f3ef11ef58f5307b7f51dabd23ebac3f19a45da8d37c01022f/b4e51f85620709.5d8149eb1867d.jpg" data-mid="55936392" border="0"  src="https://freight.cargo.site/w/1000/i/c2d9a5d93e9f81f3ef11ef58f5307b7f51dabd23ebac3f19a45da8d37c01022f/b4e51f85620709.5d8149eb1867d.jpg" /&#62;
&#60;img width="1400" height="787" width_o="1400" height_o="787" data-src="https://freight.cargo.site/t/original/i/3e4f0b7d055b215f46352fdb52727df813d257b187ddc885aa6aa9b1dafb0356/7131f685620709.5d8149eb18bc4.jpg" data-mid="55936390" border="0"  src="https://freight.cargo.site/w/1000/i/3e4f0b7d055b215f46352fdb52727df813d257b187ddc885aa6aa9b1dafb0356/7131f685620709.5d8149eb18bc4.jpg" /&#62;



	

Agency: Y&#38;amp;RClient: VivoProduction Company: Dirty WorkDirectors: Gustavo Leal, Faga MeloExecutive Producer: Ito AnderyProduction Coordinator: Jéssica SalesArt Direction: FelmsStoryboard: Che MarchetiIllustration: Vencys LaoAnimatic: Raul Vanussi3D Modelling: Milton Dias, Caio BucaretchiRigging: João Victor Ferreira, Caio Bucaretchi3D Animation: Caio Bucaretchi, Rodrigo HenriqueLook Development: Milton DiasLighting/Render: Caio Bucaretchi2D Animation/Comp: Caique Moretto, Fernando Jurado








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	<item>
		<title>Flora - Yoshimura</title>
				
		<link>https://caiobucaretchi.com/Flora-Yoshimura</link>

		<pubDate>Wed, 11 Mar 2026 14:49:12 +0000</pubDate>

		<dc:creator>Caio Bucaretchi</dc:creator>

		<guid isPermaLink="true">https://caiobucaretchi.com/Flora-Yoshimura</guid>

		<description>




Flora - Yoshimura

(personal project)



EN




A personal project influenced by Hiroshi Yoshimura’s music. An artist that helped me cope with a lot of anxiety in the pandemic years and acknowledge that there’s still beauty and contemplation even in difficult times.

I developed it from scratch, building and texturing all assets as well as animating and rendering.



PT
Um projeto pessoal de animação inspirado pela música de Hiroshi Yoshimura. Um artista que me ajudou a lidar com minha ansiedade durante os anos de pandemia e enxergar que, mesmo em tempos difíceis, ainda pode existir beleza e apreciação no mundo.



Fui responsável por todo o processo de produção, desde a modelagem e texturização dos assets à animação e render.













	
	







	
	

















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	<item>
		<title>VZ - Malu Moletom</title>
				
		<link>https://caiobucaretchi.com/VZ-Malu-Moletom</link>

		<pubDate>Fri, 14 Aug 2015 18:58:42 +0000</pubDate>

		<dc:creator>Caio Bucaretchi</dc:creator>

		<guid isPermaLink="true">https://caiobucaretchi.com/VZ-Malu-Moletom</guid>

		<description>



VZ - Malu Moletom





Directors: Fábio Acorsi, Ricardo Carelli, Marisa Ditleff
Layout Artists: Michele Vaes, Chico Sanches

Background Artists: Caio Bucaretchi, Fernanda Montoni, Michele Vaes, Rafael Nascimento






	EN

“Malu Moletom” is a project developed by “VetorZero” in which I’ve had the great pleasure of working as a Background Artist. This project was commissioned by the “Campanha do Agasalho”, a government-funded program that dedicates itself to raising donations of winter-clothing to distribute it to shelters and people that live on the streets.

This short film takes place in a small town where people are always overly dressed to protect themselves of a frostwave of unknown origins.






	









PT

“Malu Moletom” é um projeto desenvolvido pela “VetorZero” no qual eu tive o enorme prazer de trabalhar como artista de cenários. O projeto foi encomendado pela “Campanha do Agasalho”, uma iniciativa do Governo de São Paulo que se dedica a angariar doações de roupas de inverno para pessoas carentes e em situação de rua.

O curta se passa em uma pequena cidade onde as pesoas estão sempre agasalhadas para se protegerem de uma onda de frio de origem desconhecida.













&#60;img width="4000" height="2342" width_o="4000" height_o="2342" data-src="https://freight.cargo.site/t/original/i/5ac54185ade47e0635c96bce205d0dabdb05901e37e70298518f06239cedf5df/CENARIO_05_rev06_02_framing.png" data-mid="17216829" border="0"  src="https://freight.cargo.site/w/1000/i/5ac54185ade47e0635c96bce205d0dabdb05901e37e70298518f06239cedf5df/CENARIO_05_rev06_02_framing.png" /&#62;
	&#60;img width="2400" height="2288" width_o="2400" height_o="2288" data-src="https://freight.cargo.site/t/original/i/53621fa004766c5139d4557cdcf600283b7280305ea18872dfbff1051de8d047/ESTACAO_07_final_Framing.png" data-mid="17216836" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/53621fa004766c5139d4557cdcf600283b7280305ea18872dfbff1051de8d047/ESTACAO_07_final_Framing.png" /&#62;
	
EN: Town CenterThe story of “Malu Moletom” centers around a small town. The design direction was to break perspective rules and make things look more graphic and interesting. As a storytelling resource, we’ve used a hot color pallete (greenish/yellow) during the day and a colder pallete (blue purple) during the night when things got wintery.


	PT: Centro da CidadeA história de “Malu Moletom” revolve no espaço de uma pequena cidade. A direção artística era a de quebrar as regras da perspectiva para tornar as coisas mais gráficas e interessantes de acordo com as referências que tínhamos em mãos. Como um recurso narrativo, as paletas de cores alternavam entre quente durante o dia (amarelo/esverdeados) e fria durante a noite (azul/roxo) para dar um tom invernal.





	
	

&#60;img width="3202" height="1811" width_o="3202" height_o="1811" data-src="https://freight.cargo.site/t/original/i/eaab3b5a9d70c7ad21bb9e7783470b3d997e3a0315a6827493a2cfde2e35fe1d/cenario_09_REV_4_Framing.png" data-mid="17216831" border="0"  src="https://freight.cargo.site/w/1000/i/eaab3b5a9d70c7ad21bb9e7783470b3d997e3a0315a6827493a2cfde2e35fe1d/cenario_09_REV_4_Framing.png" /&#62;

&#60;img width="3204" height="1681" width_o="3204" height_o="1681" data-src="https://freight.cargo.site/t/original/i/64d3fb574f7e8e96368bc8eea259926ff7548851afa6ef6b8b2ada4a3e395cff/A_2_framing.png" data-mid="17216826" border="0"  src="https://freight.cargo.site/w/1000/i/64d3fb574f7e8e96368bc8eea259926ff7548851afa6ef6b8b2ada4a3e395cff/A_2_framing.png" /&#62;
	&#60;img width="3158" height="1845" width_o="3158" height_o="1845" data-src="https://freight.cargo.site/t/original/i/a2d7671102ef5b605098312d6c4d9e48131945cb63970aa15bc66ea9d2d2896f/CENARIO_04b_fundo_FRAMING.png" data-mid="17216828" border="0"  src="https://freight.cargo.site/w/1000/i/a2d7671102ef5b605098312d6c4d9e48131945cb63970aa15bc66ea9d2d2896f/CENARIO_04b_fundo_FRAMING.png" /&#62;
	&#60;img width="3436" height="1984" width_o="3436" height_o="1984" data-src="https://freight.cargo.site/t/original/i/ade0b933bda5c6fd4392bb50b041d955589bec82ce79d8d93cc72ab2fd55ad4a/CENARIO_22_d_FRAMING.png" data-mid="17216833" border="0"  src="https://freight.cargo.site/w/1000/i/ade0b933bda5c6fd4392bb50b041d955589bec82ce79d8d93cc72ab2fd55ad4a/CENARIO_22_d_FRAMING.png" /&#62;
&#60;img width="3656" height="2052" width_o="3656" height_o="2052" data-src="https://freight.cargo.site/t/original/i/9e662600de3423ebc71d552bc6e567f2e8760ff6e658d589734e08b4386ddedf/CENARIO_19b_FRAMING.png" data-mid="17216832" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/9e662600de3423ebc71d552bc6e567f2e8760ff6e658d589734e08b4386ddedf/CENARIO_19b_FRAMING.png" /&#62;
EN: The Cave
The house of “Malu Moletom’s” main “antagonist” was supposed to be at the same time mysterious and inviting, hence the dark and cold undertones, but contrasting to a bright light coming from the outside and the circular non-threatening design of the rocks.


	PT: A Caverna
A morada do “antagonista” de “Malu Moletom” deveria ser simultaneamente misteriosa e convidativa, justificando os tons frios, mas contrastando com a luz quente vinda do exterior e o design não-ameaçador e circular das rochas.


&#60;img width="3500" height="1161" width_o="3500" height_o="1161" data-src="https://freight.cargo.site/t/original/i/4dc2f94226250d37106aa14e7a743eb0aebd6810b23c54c9408f501bd2495485/CENARIO_23c_3_FRAMING.png" data-mid="17216834" border="0"  src="https://freight.cargo.site/w/1000/i/4dc2f94226250d37106aa14e7a743eb0aebd6810b23c54c9408f501bd2495485/CENARIO_23c_3_FRAMING.png" /&#62;

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		<title>DWRK - Dia dos Namorados</title>
				
		<link>https://caiobucaretchi.com/DWRK-Dia-dos-Namorados</link>

		<pubDate>Mon, 13 May 2019 14:01:07 +0000</pubDate>

		<dc:creator>Caio Bucaretchi</dc:creator>

		<guid isPermaLink="true">https://caiobucaretchi.com/DWRK-Dia-dos-Namorados</guid>

		<description>




DIA DOS NAMORADOS NETSHOES - DIRTY WORK
 (2018)

EN


I worked as a 3D Generalist for this Netshoes Valentine's day spot. Our role was to come up with short 1 second animations that would represent nostalgic moments in the life of the characters. Concept art was provided and I was responsible for everything concerning the 3D spots.

 





EN

Tive a oportunidade de trabalhar como generalista 3D com o pessoal da Dirty Work Factory para quatro vinhetas de Dia dos Namorados. Nossa função era a de criar várias animações rápidas de cerca de um segundo que representariam momentos nostálgicos resgatados pelos presentes que os personagens recebem. A arte conceitual foi desenvolvida pela casa e minha função foi a de traduzir tudo para o 3D, sendo responsável pela modelagem, shader, iluminação, render e animação.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;









&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/5436442851fc0e5c3b8a36e52dfc6db315956082d4a9958a088cfec4467e5402/Castelo-2.gif" data-mid="42129546" border="0"  src="https://freight.cargo.site/w/800/i/5436442851fc0e5c3b8a36e52dfc6db315956082d4a9958a088cfec4467e5402/Castelo-2.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/6ee0f5c47f619bd289c9c80b52efac99fc100dda8e96a0ecdb24b237c5388c91/Velotrol-2_1.gif" data-mid="42129549" border="0"  src="https://freight.cargo.site/w/800/i/6ee0f5c47f619bd289c9c80b52efac99fc100dda8e96a0ecdb24b237c5388c91/Velotrol-2_1.gif" /&#62;


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&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/44cfb41ec514a452fe834130131914ee47a89de3c84fbe02f1060fd774492627/Bailarina-2.gif" data-mid="42129542" border="0"  src="https://freight.cargo.site/w/800/i/44cfb41ec514a452fe834130131914ee47a89de3c84fbe02f1060fd774492627/Bailarina-2.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/ef632f9373fb5023686d806063ba68d8797259b9a6e1d11f53eeda574f05d8e6/Barbie-2.gif" data-mid="42129543" border="0"  src="https://freight.cargo.site/w/800/i/ef632f9373fb5023686d806063ba68d8797259b9a6e1d11f53eeda574f05d8e6/Barbie-2.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/5b435eba0845355747750e7cc0804f7fe89cc8eacee2dfda93e09d4a4585b2da/cerca-2.gif" data-mid="42129547" border="0"  src="https://freight.cargo.site/w/800/i/5b435eba0845355747750e7cc0804f7fe89cc8eacee2dfda93e09d4a4585b2da/cerca-2.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/8f25050f4362e7c92789dc000e8f2bd2962a862ea8a385cef5af2764fa6616c7/Fliperama-2.gif" data-mid="42129548" border="0"  src="https://freight.cargo.site/w/800/i/8f25050f4362e7c92789dc000e8f2bd2962a862ea8a385cef5af2764fa6616c7/Fliperama-2.gif" /&#62;






&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/28e8b57f956cd6e522d023f580164eaedacb9217875321e2b74a00a7f6712978/Carrinho-2_low.gif" data-mid="42130985" border="0"  src="https://freight.cargo.site/w/800/i/28e8b57f956cd6e522d023f580164eaedacb9217875321e2b74a00a7f6712978/Carrinho-2_low.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/f7bb069b0c18efb63b6071dc05de21afe8c0d82aeaa88c697323c61c1c09968c/Caderno-2.gif" data-mid="42129544" border="0"  src="https://freight.cargo.site/w/800/i/f7bb069b0c18efb63b6071dc05de21afe8c0d82aeaa88c697323c61c1c09968c/Caderno-2.gif" /&#62;




 

</description>
		
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	<item>
		<title>Calabash: Paypal Ubiquity</title>
				
		<link>https://caiobucaretchi.com/Calabash-Paypal-Ubiquity</link>

		<pubDate>Mon, 13 May 2019 15:10:46 +0000</pubDate>

		<dc:creator>Caio Bucaretchi</dc:creator>

		<guid isPermaLink="true">https://caiobucaretchi.com/Calabash-Paypal-Ubiquity</guid>

		<description>



CALABASH ANIMATION - Paypal Ubiquity



	
EN
Had a lot of fun working as a concept artist for Calabash Animation for these Paypalspots. My main role was helping them achieve a graphic style for the characters and backgrounds and to come up with ideas for how each spot could work. I've also managed to help with some 3D modelling
	






PTTive o prazer de trabalhar junto com o pessoal da Calabash Animation no desenvolvimento destas vinhetas para o PayPal. Minha função era a de bolar um estilo gráfico tanto para os personagens como para os cenários e pensar em maneiras de fazer com que tudo funcionasse na animação. Também pude ajudar com um pouco da modelagem 3D.









MOODBOARD

	EN




As per usual, my first task was to present the client with a moodboard containing graphic references that were fitting for the project and could help us establish which direction to go for. This moodboard contains some of the references they first sent me, as well as some of the references I've managed to collect by my own to present them just to make sure we were on the same page.



 
	



PT

Como de hábito, minha primeira tarefa foi apresentar ao cliente referências gráficas que encaixassem na proposta do projeto. O “moodboard” abaixo contém algumas das tais referências. Algumas foram enviadas para mim inicialmente para que eu pudesse entender o que eles tinham em mente e logo após eu tratei de coletar outras referências que eu acreditava que podiam ajudar-nos no desenvolvimento










	
&#60;img width="1400" height="758" width_o="1400" height_o="758" data-src="https://freight.cargo.site/t/original/i/095e3101fc06d0848db49a865780d0e56c91286159b3965727d8b70daec24066/a65dd179325761.5cc24ddb34f64.jpg" data-mid="42137297" border="0"  src="https://freight.cargo.site/w/1000/i/095e3101fc06d0848db49a865780d0e56c91286159b3965727d8b70daec24066/a65dd179325761.5cc24ddb34f64.jpg" /&#62;


	VISUAL-DEVELOPMENT
	

DESENVOLVIMENTO VISUAL




EN




"Bobs" and "Pigeons" were the first two spots I've started to work on. They served as a guideline for all the rest. We were trying to focus on a style between realism and abstraction and started sketching some ideas. We had to come up with designs that were simple, fun, and could be easily replicated, since for "Bobs", specifically we would have to have hundreds of different characters.







PT
“Bobs” e “Pigeons” foram as primeiras vinhetas que começamos a trabalhar. Elas serviram como uma guia para as demais. Estávamos tentando buscar um estilo entre o realismo e a abstração e começamos a botar algumas ideias no papel. O objetivo era pensar em um estilo que fosse simples o suficiente para replicar, já que para a vinheta “Bobs”, especificamente, precisaríamos de centenas de personagens diferentes.

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VISUAL-DEVELOPMENT&#38;nbsp; 

DESENVOLVIMENTO VISUAL







	EN




What followed were a few more complex spots that we've called "Fabrics", "Jeans", "Zombies" and "Vietnam". With the main character designs approved, we were looking for interesting variations we could fit on these other spots as well as some cool environments to fit them in and make the animations more interesting and dynamic. Here are a few iterations of the concepts from start to final approved versions.
	

PT
Em seguida mergulhamos em algumas vinhetas que tinham ideias mais complexas. Uma com o tema de Games/Zumbis, outra com tema “Jeans”, outra com tema “Tecidos/Variedades” e outra com o tema “Vietnam/Viagem”. Com os principais designs de personagem aprovados, tentamos buscar variações interessantes e ambientes que encaixassem no tema e que deixassem a animação mais dinâmica e divertida. Seguem algumas iterações dos concepts, desde versões inicias às versões finais aprovadas pelo cliente.





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	MOVIE STILLS
	CENAS DO FILME





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&#60;img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/a03abad5ec4a0a2f041c946ed636ebf3b6eaec93423f8967762237080f328ec6/b1286879325761.5cc252d9b98a3.gif" data-mid="42163805" border="0"  src="https://freight.cargo.site/w/500/i/a03abad5ec4a0a2f041c946ed636ebf3b6eaec93423f8967762237080f328ec6/b1286879325761.5cc252d9b98a3.gif" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>DWRK - Samsung QLED 8K</title>
				
		<link>https://caiobucaretchi.com/DWRK-Samsung-QLED-8K</link>

		<pubDate>Thu, 28 May 2020 20:09:36 +0000</pubDate>

		<dc:creator>Caio Bucaretchi</dc:creator>

		<guid isPermaLink="true">https://caiobucaretchi.com/DWRK-Samsung-QLED-8K</guid>

		<description>

 
DIRTY WORK - SAMSUNG QLED 8K&#38;nbsp;
(2019)

EN




Had the chance to work as a 3D Motion Designer at this Samsung spot for Dirty Work Factory. It consists of a series of videos that unfortunately were never aired and so were made into a compilation as you can see below. Hope you enjoy it as much as we did working on it.





PT
Tive a chance de trabalhar com Motion Designer 3D neste projeto da&#38;nbsp;

Dirty Work Factory para a Samsung. Consiste em uma série de vídeos que infelizmente nunca foi ao ar, então foram editados no compilado que você pode ver abaixo. Espero que goste tanto quanto gostamos de produzí-lo. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;













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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a883fa3ac1f3d43d692e1232b795446ce89b8fb3370acc01c18fea9fafdca9e6/3.jpg" data-mid="72805738" border="0"  src="https://freight.cargo.site/w/1000/i/a883fa3ac1f3d43d692e1232b795446ce89b8fb3370acc01c18fea9fafdca9e6/3.jpg" /&#62;



	



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Production Company: Dirty Work


Directors: Gustavo Leal, Faga MeloExecutive Producer: Ito AnderyProduction Coordinator: Jessica SalesArt Direction: Felipe MascarenhasIllustration: Thiago Biazzoto, Fernando Molina, Felipe Mascarenhas, Lucas Wakamatsu2D Animation: Fernando Jurado, Caique Moretto, Fernão Spadotto, Ricardo Lopes, Faga Melo3D Animation: Caio Bucaretchi, Bruno Faiotto, Leonardo BortolussiAudio: Dope Audio Design










</description>
		
	</item>
		
		
	<item>
		<title>FGREAT - Soclean</title>
				
		<link>https://caiobucaretchi.com/FGREAT-Soclean</link>

		<pubDate>Mon, 11 Mar 2024 21:30:00 +0000</pubDate>

		<dc:creator>Caio Bucaretchi</dc:creator>

		<guid isPermaLink="true">https://caiobucaretchi.com/FGREAT-Soclean</guid>

		<description>




FGREAT - SoClean



	EN


During the span of 2020, I've had the honor of contributing with a few CG clips for SoClean USA through&#38;nbsp;Fgreat Studio. It was great fun to be involved and I've learned a lot through the process. The idea was to keep their followers invested through the company's Instagram profile with a variety of short loopable and fun videos aimed at a healthier lifestyle. Hope you enjoy it!Client: SoClean USA
Company/Studio: Fgreat StudioGeneral Direction: Conrado Galves 

CG Artists: Caio Bucaretchi; Marcos Savignano
Production/Coordination: Maísa Mendonça


	
PT

During the span of 2020, I've had the honor of contributing with a few CG clips for SoClean USA through&#38;nbsp;Fgreat Studio. It was great fun to be involved and I've learned a lot through the process. The idea was to keep their followers invested through the company's Instagram profile with a variety of short loopable and fun videos aimed at a healthier lifestyle. Hope you enjoy it!Client: SoClean USA
Company/Studio: Fgreat StudioGeneral Direction: Conrado Galves 
CG Artists: Caio Bucaretchi; Marcos Savignano
Production/Coordination: Maísa Mendonça









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Concepts and Styleframes

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